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Text: José Maria Vieira Mendes
Acting: André e. Teodósio
Interpretation: students of the Balleteatro

XF
Conception: Joana Castro
Direction, costumes and sonoplasty: Joana Castro e Maurícia | Neves
Interpretation: students of the Balleteatro

The shape follows the function, as a bridge above the mountains completes the image.
of a restricted sunset.
Like an endless suffocating ending.
The decay of the descending song.
The absence of contentment ability.
Me! ... I began to see the beauty in the bittersweet words that came out of frustration.
Like a structured hymn the image screamed:
Oh! All humans I've ever seen.

"Co:lateral" was developed from the Nuve performative project where the relationship between dance and the digital arts was explored. Initially presented in 2010, this solo interpreted by Né Barros, was the motif for several national and international publications. Here, the body projected and extended itself into a relationship of intimacy with interactive virtual reality.

"Co:lateral" was developed from the Nuve performative project where the relationship between dance and the digital arts was explored. Initially presented in 2010, this solo interpreted by Né Barros, was the motif for several national and international publications. Here, the body projected and extended itself into a relationship of intimacy with interactive virtual reality.

The Balleteatro Educational Service has developed a workshop where participants are invited to experience the movement and interpretation of a children's literary work.

After the world premiere at the Rotterdam International Film Festival, where she was honored with the Voices Short Award, Filipe Martins' short film “House of Glass” will premiere in Portugal at the 25th edition of the Caminhos do Cinema Portuguese Festival .

"Co:lateral" was developed from the Nuve performative project where the relationship between dance and the digital arts was explored. Initially presented in 2010, this solo interpreted by Né Barros, was the motif for several national and international publications. Here, the body projected and extended itself into a relationship of intimacy with interactive virtual reality.

From a structured and progressive pedagogical plan, it is proposed a reinterpretation of the classical technique that characterizes the universe of Circus in general and Juggling in particular.

The Balleteatro Educational Service has developed a workshop where participants are invited to experience the movement and interpretation of a children's literary work.

The Balleteatro Educational Service presents a program of workshops, during the period of school breaks, aimed at children and adolescents. The workshops promise artistic multidisciplinarity encompassing dance, circus, singing, music, the fine arts, theater and audiovisual.